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Lesson 2: Details of
the Complete Cycle
In his 1938 book, The
Wave Principle, and again in a series of articles
published in 1939 by Financial World magazine,
R.N. Elliott pointed out that the stock market unfolds
according to a basic rhythm or pattern of five waves up
and three waves down to form a complete cycle of eight
waves. The pattern of five waves up followed by three
waves down is depicted in Figure 1-2.
Figure
1-2
One complete cycle
consisting of eight waves, then, is made up of two
distinct phases, the motive phase (also called a
"five"), whose subwaves are denoted by numbers,
and the corrective phase (also called a
"three"), whose subwaves are denoted by
letters. The sequence a, b, c corrects the sequence 1, 2,
3, 4, 5 in Figure 1-2.
At the terminus of the
eight-wave cycle shown in Figure 1-2 begins a second
similar cycle of five upward waves followed by three
downward waves. A third advance then develops, also
consisting of five waves up. This third advance completes
a five wave movement of one degree larger than the waves
of which it is composed. The result is as shown in Figure
1-3 up to the peak labeled (5).
Figure
1-3
At the peak of wave (5)
begins a down movement of correspondingly larger degree,
composed once again of three waves. These three larger
waves down "correct" the entire movement of
five larger waves up. The result is another complete, yet
larger, cycle, as shown in Figure 1-3. As Figure 1-3
illustrates, then, each same-direction component of a
motive wave, and each full-cycle component (i.e.,
waves 1 + 2, or waves 3 + 4) of a cycle, is a smaller
version of itself.
It is crucial to
understand an essential point: Figure 1-3 not only
illustrates a larger version of Figure 1-2, it
also illustrates Figure 1-2 itself, in greater
detail. In Figure 1-2, each subwave 1, 3 and 5 is a
motive wave that will subdivide into a "five,"
and
each subwave 2 and 4 is a
corrective wave that will subdivide into an a, b, c.
Waves (1) and (2) in Figure 1-3, if examined under a
"microscope," would take the same form as waves
[1]* and [2]. All these figures illustrate the phenomenon
of constant form within ever-changing degree.
The market's compound
construction is such that two waves of a particular
degree subdivide into eight waves of the next
lower degree, and those eight waves subdivide in exactly
the same manner into thirty-four waves of the next lower
degree. The Wave Principle, then, reflects the fact that
waves of any degree in any series always subdivide and
re-subdivide into waves of lesser degree and
simultaneously are components of waves of higher degree.
Thus, we can use Figure 1-3 to illustrate two waves,
eight waves or thirty-four waves, depending upon the
degree to which we are referring.
The Essential Design
Now observe that within
the corrective pattern illustrated as wave [2] in Figure
1-3, waves (a) and (c), which point downward, are
composed of five waves: 1, 2, 3, 4 and 5. Similarly, wave
(b), which points upward, is composed of three waves: a,
b and c. This construction discloses a crucial point:
that motive waves do not always point upward, and
corrective waves do not always point downward. The mode
of a wave is determined not by its absolute direction but
primarily by its relative direction. Aside from
four specific exceptions, which will be discussed later
in this course, waves divide in motive mode (five
waves) when trending in the same direction as the wave of
one larger degree of which it is a part, and in corrective
mode (three waves or a variation) when trending in
the opposite direction. Waves (a) and (c) are motive,
trending in the same direction as wave [2]. Wave
(b) is corrective because it corrects wave (a) and is countertrend
to wave [2]. In summary, the essential underlying
tendency of the Wave Principle is that action in the same
direction as the one larger trend develops in five waves,
while reaction against the one larger trend develops in
three waves, at all degrees of trend.
*Note: For this course,
all Primary degree numbers and letters normally denoted
by circles are shown with brackets.
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Essential Concepts
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